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The Galley blog

Finishing a book is a craft with a hundred small decisions — trim size, word count, front matter, which files a store actually wants. Here's the plain version of each, from someone building the tool that does them.

Galley (8)Publishing (8)Craft (3)Design (2)Formatting (2)Guides (1)

A double-spaced manuscript page with a running header and a hash scene break

Standard Manuscript Format, and What Agents Actually Check

The Shunn manuscript format specification in plain terms: font, spacing, margins, indents, scene breaks, the running header, and the word count that should be rounded.

A translation glyph over a dark field, with the Galley wordmark

Writing Software for Novelists Who Don't Write in English

How to write and typeset a book in Arabic, Persian, Urdu, Hebrew, Hindi, Bengali, Thai, Japanese, Chinese, Korean, Russian, Greek or Vietnamese, which typeface each script gets, and what still needs building.

An ebook listing showing accessibility metadata beside the book description

Accessible Ebooks and the European Accessibility Act

What the EAA means for a self-published novel sold in the EU: accessibility metadata, what makes an EPUB accessible, the microenterprise exemption, and the large-print edition nobody makes.

A shelf of writing-app icons arranged by purpose

The Best Book Writing Software for Self-Publishing Novelists (2026)

A no-hype guide to the writing tools novelists actually use (Scrivener, Vellum, Atticus, Ulysses, Dabble, Reedsy, and Galley), sorted by what you need each one to do.

A print interior PDF and an EPUB exported from the same manuscript

Galley for Self-Publishing

What self-publishing a novel in Galley involves: a print-ready interior PDF, a valid EPUB, a tuned file per store, and two checks that run before you upload to KDP.

A double-spaced manuscript page in standard manuscript format

Galley for Traditional Publishing

Querying agents or working with an editor: standard manuscript format, the submission package, watermarked beta drafts, and getting an editor's Word comments back where they belong.

A stack of manuscripts of different thicknesses

How Long Should a Novel Be? Word Counts by Genre

The word-count ranges agents and readers actually expect (fantasy, romance, thriller, YA, literary), and what to do if you're way over or under.

Three paperback books shown at different trim sizes

How to Choose a Trim Size for Your Novel

What trim size means, the standard sizes for fiction (5x8, 5.25x8, 5.5x8.5, 6x9), and how to pick the one that fits your genre and page count.

A licence grant clause in a terms of service document

Is Your Writing Being Used to Train AI?

How to find out what your writing app is allowed to do with your manuscript: the licence grant, the improve-our-services clause, the sub-processor list, and what no hosted tool can honestly promise.

A manuscript page with a clear 'your words only' mark

Why Galley Will Never Put AI in Your Prose

AI writing tools are everywhere. Galley deliberately has none in your manuscript: no generation, no rewriting, no training on your words. Here's the reasoning, in full.

The opening pages of a printed novel laid out in sequence

Front Matter and Back Matter: The Right Order for a Novel

Every page that comes before and after your story (half-title, title, copyright, dedication, acknowledgements) in the order printers and readers expect them.

A watermarked draft page carrying a beta reader's name

Sending Your Novel to Beta Readers

When to send a draft out, how many readers you actually need, the brief that gets useful answers, what file to send, and why every copy should carry the reader's name.

A novelist typing directly onto a formatted 6x9 book page

What You See Is What Prints: Writing on the Real Book Page

Most writing apps show you a text box and reveal the book only at export. Galley shows the finished 6x9 page (trim, typeface, ornaments, scene breaks) while you write.

A print PDF page beside the same text reflowing on an e-reader

EPUB, Print PDF, or Both? The Files You Actually Need to Self-Publish

What each publishing file is for (print-interior PDF, EPUB, DOCX) and which ones you need for Amazon KDP, IngramSpark, Apple Books, and Kobo.

A single manuscript exporting into print, ebook, and proofing files

From Manuscript to Published Book, Without Leaving One Tool

The back half of self-publishing (print PDF, EPUB, KDP preflight, beta-reader drafts, submission packages) usually means a second tool or a freelancer. In Galley it's a menu.

A paperback interior page annotated with margin, gutter, and bleed

How to Format a Paperback for KDP (Margins, Gutter, and Bleed)

A plain-language walkthrough of the print-interior settings Amazon KDP checks (trim size, margins, gutter, bleed, and page count) so your paperback passes on the first upload.

A single price tag beside a crossed-out monthly bill

Why Galley Is Buy-Once, Not a Subscription

Most writing tools now rent by the month. Galley is €199, paid once, with every feature and every future update included. Here's the reasoning, and the maths.

A book barcode and ISBN on the back cover of a paperback

Do You Need an ISBN to Self-Publish?

When you need an ISBN, when you don't, the difference between KDP's free ISBN and your own, and why the imprint on the barcode matters more than the cost.

A manuscript with a character reference panel open alongside it

Keep the Story Bible Beside Your Manuscript, Not in Another App

A story bible only works if you keep it updated, and a bible in a separate app is a bible you forget. Galley's lives next to the prose, one keystroke away.

An open notebook of character and location notes beside a manuscript

What Is a Story Bible, and Do You Need One?

The reference document that keeps names, timelines, and world details consistent across a novel or series, what goes in it, and when you actually need one.

A well-set book page next to a poorly-spaced one, side by side

The Typography Rules That Make a Book Look Professionally Made

Widows, orphans, rivers, hyphenation, and the small typesetting conventions readers never notice but always feel, and why they separate a real book from a Word export.