Notes and references in the right place
Everything the book has to remember, beside the book.
Every novel grows a second document: who's who, where things are, when they happened, and the one fact you looked up for eleven minutes in 2024. In Galley it lives on tabs of the book itself. At chapter nine it's still there — unlike the separate app you swore you'd keep updated.
Mara Vale
Protagonist
Also known as
Description
Keeps the harbour ledger and lights the station lamps, both inherited from her father and neither quite forgiven him.
Appearance
Tall, and stands as though the wind is still against her. The same oilskin in every season.
Voice
Says little, records everything. Knows the tide table by heart and trusts none of it.
+Add a sectionAppears in
The Station at Dusk
Departures
The Ledger of Small Debts
Departures
Neap
Returns
Counted from the @ mentions in your prose, and from
the name as a whole word. Nothing to keep up to date by hand.
In the timeline
At Weirwater the lamps were lit by hand, and it was Mara Vale who lit them, down at The Quiet Harbour before the neap.1
At Weirwater Station the lamps were not yet lit. Someone had left before the end of their watch.
* * *
The crossing that mattered was set down in the harbour ledger, in a level hand.
Story bible
Mara Vale
Tag a name in your prose and it links here, with her aliases, her sections, every chapter she appears in and the events she is in.
Everything the story touches
Characters with aliases and roles, so the same person can be Elias, Crane, and "the keeper" without confusing the checks. Locations. A timeline in narrative dates, with events tied to the chapters, characters and places they involve. World-building for the lore. A style sheet for your own spelling law, which is what stops an editor asking why "grey" turned into "gray" in chapter twelve.
Sections
Add named sections to a character sheet. Eight suggestions to start from, including Appearance, Voice, Wants and fears and Arc, or name your own. Each takes bold, italics and lists, and @ and # work inside them the same as in your prose. Locations and world-building entries get the same sheet.
Renaming a character
Change the name and every tagged mention changes with it, in the chapters and in the notes, with a snapshot of each chapter taken first. Mentions tagged under an alias stay as they were. Plain prose gets counted and shown to you, not rewritten, and one button replaces it if that's what you want. Keep the old name as an alias and the name check still recognises it.
Who appears where
A table of the whole cast: role, aliases, how many chapters of how many, first and last appearance, the longest gap, who they share chapters with. You type none of it. It counts the @ mentions you tagged and the names as they stand in the prose. Useful for spotting a lead who turns out to be in four chapters of twenty-six. No AI, and nothing leaves your browser.
Research you keep, not links you re-open
A clipping is the passage itself — the fact, the phrase, the word the overseers were called — with your note on why it matters and a source line written the way you'd write it. It doesn't rot the way a bookmark does.
One clipping, three jobs
Galley also holds the glossary, the endnotes and the permissions ledger, so a clipping becomes any of them without being retyped. A quoted lyric is research and a rights problem at the same time: mark it and it lands in the ledger as "to request", then follows you through requested, granted, paid. Delivery readiness won't call the book finished while one is still outstanding.
It shows up where you write
Add a term to the glossary or a source to references and every mention glows softly in the prose as you write. At export, references number themselves from first occurrence and the glossary assembles its own back-matter page — and renumbers when you move chapters, because that is the machine's job. Press ⌘K and the whole book answers: a character, a place, a term, a clipping from two years ago.
CHAPTER ONE
The Station at Dusk
At Weirwater the lamps were lit by hand, and it was Mara Vale who lit them. She had come down to The Quiet Harbour before the neap, when the water draws back so far it seems to be deciding whether to return.
At Weirwater Station the lamps were not yet lit. Someone had left before the end of their watch, and in a town this size that was not a small thing.
* * *
Whatever the tide left, it left at the keeper's door first. The crossing that mattered was set down in the harbour ledger, in a level hand that did not lie so much as decline to explain.
He read the flats the way other men read the paper, for news of what the sea had been doing while no one watched.
Chapters
Story bible
Actions
At Weirwater the lamps were lit by hand, and it was Mara Vale who lit them, down at The Quiet Harbour before the neap.1
At Weirwater Station the lamps were not yet lit. Someone had left before the end of their watch.
* * *
The crossing that mattered was set down in the harbour ledger, in a level hand.
Command palette
⌘K
Every chapter, every page of the bible, every action — one keystroke away, filtering as you type.
What's included
Every card goes to the part of the docs that explains it.
Thirty minutes in it beats reading about it.
Launch GalleyOpens straight into a book. Nothing to install, nothing to sign up for.