Your notes, next to the manuscript
Characters, places, a timeline and your research, in tabs beside the book.
Most novelists keep notes somewhere else: who's who, where things are, when things happened, and the facts they looked up. In Galley those notes are in tabs on the book itself, so they're right there while you write.
Irene Adler
Supporting
Also known as
The other names she goes by. The @ picker and the name consistency check both match them.
Description
The one-paragraph version. Everything else goes in a section.
Contralto, born in New Jersey in 1858. Sang at La Scala, prima donna of the Imperial Opera of Warsaw, lives at Briony Lodge in St. John’s Wood. Outwits Holmes in chapter one, and he keeps her photograph as his fee.
+Add a sectionAppears in
A Scandal in Bohemia
Chapter 1
A Case of Identity
Chapter 3
The Adventure of the Blue Carbuncle
Chapter 7
3 of 12 chapters, 15 mentions. Away for 5 straight chapters.
Counted from the @ mentions in your prose, and from the name as a whole word. Nothing to keep up to date by hand.
In the timeline
To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name.
He waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene in the corner.
* * *
“Now, I know that there are seventeen steps, because I have both seen and observed.”
Story bible
Irene Adler
Tag a name in your prose and it links here, with her aliases, every chapter she turns up in and the events she’s part of.
Characters, places, a timeline and the world
Characters can have aliases and roles, so Elizabeth, Lizzy and Miss Bennet are counted as the same person. There are locations, a timeline that uses your story's dates and links events to chapters, characters and places, and a world-building section for everything else. There's also a style sheet for your own spelling rules, which is useful when an editor asks why "grey" is spelled "gray" in chapter twelve.
Character sheets you shape yourself
You can add named sections to a character. Galley suggests eight to start with, like Appearance, Voice, Wants and fears, and Arc, or you can name your own. Sections support bold, italics and lists, and you can use @ and # in them the same way you do in the manuscript. Locations and world-building entries work the same way.
Renaming a character
When you change a character's name, every tagged mention changes with it, in the chapters and in the notes. Galley takes a snapshot of each chapter first. Mentions tagged with an alias don't change. Untagged mentions in the text are counted and shown to you, and you can replace them all with one button if you want to. If you keep the old name as an alias, the name check still recognises it.
Who appears where
The cast table shows each character's role, aliases, how many chapters they appear in, their first and last appearance, the longest gap between appearances, and who they share chapters with. It's filled in from your @ mentions and the names in the text, so you don't have to enter anything. It's useful for noticing that a main character only shows up in four chapters out of twenty-six. It doesn't use AI, and your text doesn't leave your browser.
Research you keep, not links you reopen
A clipping saves the actual passage you need, like a fact or a phrase, along with your note about why it matters and where it came from. You don't have to go back to the original link, which might not work anymore.
One clipping, three jobs
Galley also has a glossary, endnotes and a permissions ledger, and a clipping can be turned into any of them without retyping it. For example, a quoted song lyric is research, but you also need permission to use it. If you mark it, it goes into the ledger as "to request" and you can move it through requested, granted and paid. Delivery readiness won't mark the book as finished while a permission is still open.
It shows up where you write
When you add a term to the glossary or a source to your references, every mention of it is highlighted in the text. When you export, references are numbered in the order they appear and the glossary becomes its own page at the back. If you move chapters around, the numbers update. Press ⌘K to search the whole book, including characters, places, terms and clippings.
CHAPTER ONE
A Scandal in Bohemia
To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind.
I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were sufficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature.
His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene in the corner.
“Quite so! You have not observed. And yet you have seen. That is just my point. Now, I know that there are seventeen steps, because I have both seen and observed.”
Cuttings
Research
Glossary
In the manuscript
To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name.
He waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene in the corner.
* * *
“Now, I know that there are seventeen steps, because I have both seen and observed.”
Command palette
⌘K
Search chapters, research, the glossary and the manuscript from one box, and jump straight there.
What's included
Click any of these for the bit of the docs that explains it.
- Characters Aliases, roles, and sections you name yourself
- Cast overview Who appears where, counted from the prose
- Locations Places get the same kind of sheet as characters
- World-building Notes on history, magic, culture and anything else
- Style sheet Your own spelling and hyphenation rules
- References Notes are numbered for you when you export
More features
The writing room
You pick the trim and typeface first, then write on that page.
Revision
Galley counts and checks the whole book, and you decide what to change.
Toolkit
Exports, preflight and the submission package are all in one menu.
Safe & Secure
Only you can read it, it’s backed up, and no AI is trained on it.