There’s no rule that says a novel has to be a certain length, but there are very strong conventions, and agents and readers feel them even when they couldn’t tell you the numbers. Reedsy keeps a genre-by-genre breakdown that lines up with what agents ask for, and the short version is below.

The ranges, by genre

GenreUsual range
Literary and upmarket fiction70,000 to 100,000
Fantasy and science fiction90,000 to 120,000 (epic fantasy goes higher)
Romance70,000 to 90,000 (category romance can be shorter)
Thriller, mystery and crime70,000 to 90,000
Young adult50,000 to 80,000
Middle grade30,000 to 55,000

You can go outside these. Most books on the shelf in each genre sit inside them, though, so that’s where an agent expects a debut to be.

Why agents care about the number

An agent reads the word count in your query before they read a word of the book, and they use it as a quick guess about how much editing the manuscript needs. A 150,000-word debut thriller tells them the writer probably hasn’t cut enough yet. A 45,000-word “adult novel” is really a novella, and novellas are a harder sell to a publisher than either a full novel or a book that knows it’s short.

Is that fair to your book? Probably not. It’s still how a slush pile gets sorted when someone has 300 queries to get through this week.

For the length of the chapters inside it, see how many words should a chapter be.

If you’re over

Cut before you think about splitting. Do a self-editing pass and look for scenes where nothing changes, two subplots that could be one, and description of things the reader already pictured. Most long first drafts have 15 to 20% they don’t need. Splitting one long book into two only works if the first half has a proper ending of its own, and most don’t.

If you’re under

Add story, not words. A thin book is usually thin on plot and consequence, so padding the sentences makes it longer without making it better. Go back to what your main character wants, what’s in the way, and whether they’ve had to pay anything to get it.

Established authors get to ignore all of this, because their publisher already knows their long books sell. A first book doesn’t have that track record yet, so it’s worth landing inside the range.

Keeping track while you write

Galley shows a live word count for the chapter you’re in and for the whole book, so you don’t have to paste anything into a counter. Chapter lengths sit side by side in the pacing chart too, which is the quickest way to spot the one chapter that’s twice as long as the rest. For the words you lean on rather than how many there are, there’s overused words in fiction.

Outside the app, novel word count by genre puts your number against the range for your shelf, and the reading time calculator turns it into hours of reading.